28 October – 1 November

Snow drifts across a stage of bare trees and soft lamplight as the March sisters gather to tell their story. Little Women, adapted by Anne-Marie Casey and directed by Loveday Ingram, brings Louisa May Alcott’s world to life with painterly precision. Ruari Murchison’s set is elegant and evocative, shifting fluidly between homely warmth and the harsher chill of the outside world. Mike Robertson’s lighting deepens the contrasts, while Matthew Bugg’s sound design layers in the creak of ice, the toll of church bells, the rumble of distant war and the rhythm of everyday life. Together, they create an atmosphere that feels both intimate and cinematic.

The story unfolds with care as the March sisters move towards adulthood. Natalie Dunne’s Jo carries the restless energy of a young woman determined to define herself. Zoë Clayton-Kelly’s Meg and Megan Richards’ Beth bring grace and quiet strength, while Jewelle Hutchinson’s Amy adds spark and mischief. Juliet Aubrey lends Marmee a calm, anchoring presence, and Belinda Lang’s Aunt March is a standout delight throughout, arch and commanding without tipping into caricature.

Among the men, Perry Williams’ Laurie is playful and likeable, a lively foil to Jo’s intensity, and Daniel Krikler brings sincerity to both Mr Brooke and the steadier Professor Bhaer. The cast grows into the piece as it moves along, finding greater ease and warmth in the second half.

The musical interludes give rhythm and cohesion to the narrative, allowing moments of reflection between the family’s joys and struggles. Ingram’s direction is sensitive rather than showy, letting themes of rivalry, loss and reconciliation surface naturally. At times the pacing drifts, but the emotional throughline holds.

The production’s great strength is its design and atmosphere. The stage pictures are beautiful, the costumes full of period texture, and the lighting quietly transporting. It’s a show that draws its audience in gently, rewarded with laughter, sighs and affectionate applause throughout.

This Little Women is faithful rather than daring, but it’s made with care and performed with sincerity. A warmly traditional staging that honours the story’s endurance and its beating heart.

★★★★☆  Tilly Marshall, 29 October 2025

Photography credit: Nobby Clark