who are director and actor in Frank Vosper’s adaptation of an Agatha Christie story, LOVE FROM A STRANGER which is at the Everyman Theatre in Cheltenham from 19th June. They talk in depth about the trials, tribulations and pleasures of working in on Agatha Christie and the extensive back-catalogue of previous productions

is one of Britain’s best loved actresses. Since her breakthrough role as Nancy in Rock Follies, she has starred in numerous iconic shows including Doctor Who, One Foot in the Grave, EastEnders, Boon, Take A Letter Mr Jones, To The Manor Born and The Saint. She talks to us about the touring stage thriller THE CASE OF THE FRIGHTENED LADY which runs at the Theatre Royal in Bath from 14th – 19th May.

are three of the country’s favourite actors. They are appearing together in in the current national tour of ART. Here, in this joint interview with Vicky Edwards they talk about the play and a lot more besides . . .

is appearing in Ronald Harwood’s QUARTET this week at the Theatre Royal in Bath. He has been a household name for over forty years and in this exclusive interview with StageTalk Magazine editor Michael Hasted he talks about the early days of his wide ranging career in show business . . .

appears in THE WHALE which is currently at the Ustinov Studio in Bath. He won the Olivier Award for Best Supporting Actor in a Musical for his performance as Jud Fry in the National Theatre’s Oklahoma! His other stage credits include starring with Sir Ian McKellen and Sir Patrick Stewart in the Broadway productions of Waiting For Godot and Pinter’s No Man’s Land; Javert in Les Misérables in New York and the title role in The Phantom of the Opera in Frankfurt.

has been a star of stage and screen ever since his portrayal of Christ in Franco Zefferelli’s JESUS OF NAZARETH over forty years ago. He is currently appearing with Liza Goddard in the world premiere tour of SHERLOCK HOLMES: THE FINAL CURTAIN. In this interview he talks about his role as the great detective and of the pleasures and problems of touring . . .