I’ve been to the circus a few times in my life, mostly when I was a child, and not since my early teenage years. All those times were “traditional” circus experiences, in the sense that they were in a big tent, usually in a muddy field somewhere, and there was a ringleader. Cirque Berserk is a different beast. Part of what makes it so impressive is because you can’t help but wonder, “How are they doing this on stage?” I found myself thinking that countless times throughout the night. 

Reflections on the show’s caliber during the interval seemed to suggest it was impressive and entertaining, but could do with some extra bit of magic – perhaps a small bit of narrative, or the aforementioned ringleader, was missing. The second act stomped out any doubts. The thrills kept coming, without spills or hiccups, at pace and with increasing prowess. 

The pacing of the show is perfect, with the acts seemingly building upon one another, and those that return several times adding new tricks and twists to what we see in the first act. The Tropicana Troupe, from Cuba, were my personal favourites of the night. Their final springboard act was the only one in the whole show to require a safety wire, something Cirque Berserk generally did without, and that says something about its danger levels. Genuine edge-of-your-seat stuff.

People often write, about shows like this, that they are great for kids “and for adults!” –  the latter always comes with a note of desperation, overly keen to impress upon the money-holders that they should bring their kids along, but not to worry, because they’ll love it too. This is often untrue. But Cirque Berserk is one of those rare times when the show is genuinely great, both for kids and adults. Understanding how impressive some of the tricks are might even make it a better experience for those over a certain age. 

A proper spectacle, featuring everything from a woman shooting arrows with her feet, to motorcyclists performing death-defying stunts on-stage, Cirque Berserk showcases talent from across the globe, and needs to be seen to be believed.   ★★★★★  Will Amott    21st February 2017