Every year, roughly one in four people in the UK will experience a mental health problem. In spite of this, these issues carry a seemingly unshakeable stigma: admitting illness is seen as admitting you are broken, seeking help is seen as weakness. Social perception further adds to these issues, issues which would be less prevalent if we were more open and accepting of these wholly human problems.
Calixto Bieito’s The String Quartet’s Guide to Sex and Anxiety is a moving piece that stresses the importance of this discussion we too often avoid. Using existing literature and music, the piece follows four people struggling with mental and sexual issues, and the ways they try to cope with their afflictions. Each character’s journey is unique and captivating, enhanced by the beautiful yet unsettling music played by the award-winning Heath Quartet.
The creative direction and gripping performances made this a moving experience. Given the unusual nature of source material such as The Anatomy of Melancholy (Richard Burton’s 17th Century depression self-help book), it is fascinating to see how its words have been used in an innovative and exciting manner. When combined with additional writing and masterful performances, these four characters come to life as we are engulfed in their worlds of torment.
The minimalistic set design was truly inspired, with each and every element on stage having a purpose within the loose narrative of the piece. The versatility of the set was impressive, especially in the way it could subtly or suddenly change, creating a sense of claustrophobia or vast openness as and when required. It also offered opportunities for varied use of the stage that complemented the absurdist style.
This is certainly a challenging piece, but Bieito has ensured that every aspect of the performance is finely tuned. The direction, acting and music blend together to create an unforgettable, disconcerting experience that stands out amongst other theatre. It is nothing short of a spectacle with a strong message, and is certainly one of the best shows I’ve seen at The Rep. ★★★★★ Jeremy Ulster 15th May 2018
