When seeking an ideal topic for a play one would not immediately think of a man who befriends an invisible 6 foot tall rabbit, but that is the unlikely tale that Harvey tells. The production however was an instant hit when it opened on Broadway in 1944 and was made into a film on 1950. Now it has been revived for a short tour with plans for a transfer to the Royal Haymarket Theatre in London.
Of course, this is not actually a play about a six foot tall rabbit, but about believing in something other than the externals of life. It’s about getting in touch with your inner feelings, listening to instincts and having the conviction to follow them. It’s a story about love and hope and the universal values of humanity. Director Lindsay Posner ensures that this message is at the heart of the play and it is clear that she has briefed her actors accordingly to make sure they are on the same page to deliver the subtle messages within the play.
The set is quite wonderfully designed – two revolving turntables change the set smoothly from scene to scene with utter precision. The lavish household for the first act is replaced by Charlie’s Bar for the second and cleverly and subtly the books and portrait are replaced by grotty mirrors and alcohol bottles to allow the same set to double convincingly for both locations.
Seasoned actor James Dreyfus is compelling as Elwood. His timing is precise; he brings a charm and tenderness to the character who chooses to be pleasant as opposed to being smart. His characterisation asks questions of the other characters and of the audience – which points to a job well done. Though not faultless, Maureen Lipman gives a strong performance as Veta Louise. Her understanding of the character allows for some good comedy moments, however the occasional acting choice seems somewhat forced and does not always read as truthful.
Jack Hawkins plays with the vanity of his character, the upstart Dr Sanderson. At first we see the by-the-book, almost-painted on nature of the young doctor but as events progress the humility of his character emerges and is obviously well thought out. Sally Scott also shows us the journey of her character, Nurse Kelly, as she is changed by the events of the play. Despite a slight lack of detail in the writing of her part, she rounds out the character nicely, making for a more 3D portrayal – the chemistry between the doctor and the nurse is nuanced and leaves you wanting more from the potential couple.
David Bamber gives us a suitably frenzied Dr Chumley as the plot begins to unravel. His assistant, Mr Wilson, played by Youssef Kerkour, asserts his presence upon the stage – not just because of his size.
It is a story that is noticeably of a different era and has that old time American feel to it: but its themes, charm and its message make it relevant still. Harvey is a beautifully written and performed farce that gently unravels, rather refreshing and moving in places – well worth your time. ★★★★☆ Sam Chipman 11/02/15
Photo by Manuel Harlan
