Author: Chris White

Monty Python’s SPAMALOT at Bath Theatre Royal

It is difficult to decide who might be most disappointed by Monty Python’s Spamalot. Certainly fans of Eric Idle or the Holy Grail who will go expecting to see something raucous and silly and madcap – something that harks back to golden years of the Flying Circus – or at the very least pays a fitting homage to the film it scrapes from and scratches at. Fans of musical theatre too will be disappointed by its lack of pizazz and its underwhelming score.

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FEMME FATIGUE at the Wardrobe, Bristol

“. . . The full forty minutes was read from a script, which the comedian had to keep looking and shuffling through – truthfully, this was pretty infuriating. There wasn’t exactly much in the way of feminism either. Yes, she talked about her breasts, and her distaste of middle-class white men, but as a thoroughly middle-class white woman herself Evans’ comedy strikes me as coming from an odd place. She was very funny at points; she was shocking, sharp and self-deprecating. . . “

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THE TALE OF JACK SHEPPARD at the Alma, Bristol

Otherstory, a Bristol­ based puppetry collective, bring the miscreant to life through the medium of puppetry, music and storytelling, using some fantastically creative and beautiful puppets made and operated by three members of the collective – Emma Byron, Sarah Green, and Trevor Houghton. Paul Walker provides the piece with a soundtrack, playing a combination of recorded and live music whilst offering small sections of narration.

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THE LIGHT BURNS BLUE at the Bristol Old Vic Studio

“. . . The Light Burns Blue by the Bristol Old Vic Young Company is a fresh and dynamic retelling and re-imagining of The Cottingley Fairies legend. The play was devised by the company under the direction of Lisa Gregan and commissioned by Tonic Theatre as part of their Platform series, a new series of scripts for schools and youth groups with the aim of ‘putting girls centre stage’ . . . But, all in all, this is a very talented company, who are clearly working as part of tight-knit team to achieve an engaging and vibrant show.”

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MUSCOVADO at the Alma, Bristol

“The play opens with an explosive choral number from the vocally talented company – setting the tone of the beautiful soundtrack (original music by James Reynolds) which underscores the entire piece. We then break quickly into the first scene of the two-hour play. Mrs. Fairbranch sits in her ebony home – a mini London in the heart of Barbados – drinking tea whilst her house-slave Willa fans her. . . Sometimes the writing is beautiful, filled with colourful analogy and poetry. . . “

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