Author: Deborah Sims

ALL MY SONS on tour

“It is almost 70 years since Arthur Miller’s All My Sons was first staged, but for a modern audience it has lost none of its bite. An unflinching examination of greed; of idealism; of self-delusion; of family; of responsibility to one’s immediate surroundings versus wider social responsibility; the themes are just as pertinent today as they were in 1947. . . The most subtly complex of all the characters in the play, Doña Croll is utterly convincing as the maternal centre, doing anything she can to keep the family together. . . As sharp now as when first performed, Talawa Theatre Company pack a powerful punch. ”

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The Eradication of Schizophrenia in Western Lapland at the North Wall, Oxford

” . . . A stage split into two. A mind split into pieces. Comprehension split into tatters. The Eradication of Schizophrenia in Western Lapland is a fabulously-titled, utterly bewildering play. One half of the audience watch one half of the play, whilst the other half of the audience watch the other half, on the opposite side of the stage . . . Unsettling both physically and mentally, the play is a disorienting study of psychosis . . . It’s an ambitious, and laudable, undertaking.”

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Martin Bonger as FAT MAN on tour

“. . . Orpheus is washed-up. He eats too many doughnuts, he’s drunk, and he’s doing stand-up comedy for the gods . . . As Orpheus’s heart breaks in front of us he reveals so much about the fundamental point of stories, and of the art telling of them . . . This is a story so mesmerizingly told that it’s easy to forget that it’s happening within the constructs of the theatre. Martin Bonger is Orpheus. His story is captivating, and devastating, and real. Even the trees and rocks would stop to listen. “

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MACBETH at the Playhouse, Oxford

Filter is a theatre company that has built its name on the inventive use of sound, and in this aspect they do not disappoint in their new adaptation of Macbeth . . . The nimble creativity of the production is captured from the off; after a nice “double, double, toil and trouble” joke that sets the scene for a self-proclaimed ‘playful’ Macbeth, we meet the witches, operating a strange collection of electronic musical apparatus. . . Sound and fury? Absolutely. But when it came to what it all signified? Well, I’ll have to leave you to finish that line. . .”

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THE FIVE AND THE PROPHECY OF PRANA at the Oxford Playhouse

“A live action graphic novel fusing martial arts and hip hop, The Five and the Prophecy of Prana is an exciting new touring production from Blue Boy Entertainment. . . The graphics are beautiful, and fantastically evoke both the spiritual world of Wang Tang in the classic Japanese landscapes, and the violent world of bar brawls. . . has some exciting ideas but doesn’t quite manage to create a satisfying narrative as a whole. The set design, dancing, and choreography can’t be faulted, but as a cohesive story it leaves a little to be desired. “

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