★★★★☆ Covering the Mod movement from its heyday all the way until its decline and transformation into the hippie era, All or Nothing charts the rise of the Small Faces and its temperamental frontman Steve Marriott . . . All or Nothing has a firm understanding of what its audience has come to see.

★★★★☆ The troupe of performers is made up of skilled actor-musicians and both are lively and engaging productions. Highly recommended.

★★☆☆☆ I am always sympathetic to actors trying to rescue flawed material but there’s no salvaging some works. Trespass by Emlyn Williams is hardly a masterpiece and all the goodwill in the world could not coax from me a merciful opinion of its worth.

★★★☆☆ Don’t Dress for Dinner is an unashamed farce. Following a couple in their house in the French countryside, both husband and wife are trying to smuggle their respective lovers into the house without arousing suspicion. Within an elaborate web of improbably bluffs, mistaken identities and gross misunderstandings, chaos naturally ensues . . . if you want a good laugh in a so far dreary June, this fits the bill.

★★★★☆ There are so many levels on which this is enjoyable. If you want engaging and funny audience interaction, it works. If you want farcical comedy and drama on stage with some piping musical numbers (all assembled on the spot), it works.