★★★★★ With a sparkling script, some apposite songs and clear edged direction the gallimaufry of chronology and gender is a joy from start to finish.

★★★☆☆ There is a certain make-do-and-mend feel however the show was held together by the consummate artistry of the prima ballerina, Arissa Hashimoto as ‘Clara’.

★★★★☆ For all the passage of time since its first production the play still has the power to delight in its clever construction.