★★★★☆ Christmas time is a very special time of year and lots of people have their first ever trip to the theatre to see a Christmas show. And if you love this brilliant show perhaps mummy and daddy will take you to see something else at the theatre.
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★★★★☆ It would be difficult to reinterpret a story with such a strong and clear message. Notwithstanding, Tom Morris has deconstructed the tale with half an eye on contemporary Britain, putting it back together with message intact and throbbing with seasonal cheer and timeless relevance.
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★★★★★ The model apartment of the title is a metaphor for something outwardly perfect, serviceable, whilst concealing a different, uncomfortable truth. Max (Ian Gelder) and Lola (Diana Quick) have come to Florida for a short break from New York.
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★★★☆☆ Director, Rufus Norris, in searching for a setting which imagines the play in something like the modern world, has settled on that ‘go to’ staple; a post-apocalyptic wasteland of ruined civilization where ‘might is right’.
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★★★★☆ The opera is clearly driven by a strong moral purpose. The corrupting influence of absolute power on the one hand and the constancy and regenerative power of love on the other. The music is a delight with what I take to be an authentic sound from the Old Street Band under Peter Whelan . . .
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