Mr Timothy X Attack takes us to an imagined future (what other sort is there indeed?) Humankind seems to have made it’s way to the far flung corners of the galaxy, which intrepid adventures have necessitated the provision of some kind of beacon or lighthouse for the better exploitation of safe galactic interchange . . .
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Rhythms are sometimes dazzling in their intricacy and executed with wit and panache. ‘Instruments’ vary from matchboxes to oil drums: one of my favourites was a little number, performed in the dark using Zippo style lighters which created not only rhythms, but also clever patterns as the lighters lit . . . with such a highly polished and entertaining set of routines the audience can simply marvel at the immaculate conception and execution.
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Peter Whelan’s successful 1996 play, which had its first outing as an RSC production and is here revived for a tour, takes the marital problems of the bard’s daughter, Susanna (Emma Lowndes), as it’s starting point. Susanna made an apparently enviable match with a certain, Doctor John Hall, a moderate Puritan, but an ecclesiastical court record of Susanna’s trial for adultery is enough to suggest that all was not well within the Hall’s marriage bed.
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Trainspotting is, strangely, given its darkly comic depiction of utter depravity and tragedy, a play of hope. A hope that however lost a piece of humanity seems, there lurks within a yearning for choosing life over nihilism . . . Fans of the book and film will not be disappointed with this compelling example of ‘immersive’ theatre.
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There is a sense in which ‘children’s theatre’ is the most important kind there is. Waiting for the show to start and gazing at the circus big-top setting one can relax knowing that in Sally Cookson the responsibility could not be in better hands. Katie Sykes’ inviting set presages the usual Cookson 3-D extravaganza. There is no disappointment . . . If there are young ones in your family this will be one of the best chances you will have of getting them hooked on live theatre. Go See!
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