Author: Graham Wyles

MONSIEUR POPULAR at the Ustinov Studio, Bath

Farce is as old as Western comedy itself and perhaps finds its full flowering in the French theatre around the turn of the nineteenth century, when many of the usual devices such as extravagant plot are kept whilst stock characterization gives way to more nuanced treatment. Monsieur Popular is by one of the masters of the genre, Eugène Marin Labiche . . . Monsieur Popular is a delightfully tasty blancmange of a play, full of unpretentious fun and I would not be surprised to find it coming back to the main house in the not too distant future.

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BAD JEWS on tour

I originally reviewed this play on its first UK run at the Ustinov. Now back in the main house after a successful run in the West End and with a new cast this is not a reassessment but a fresh review. . . Undoubtedly deserving of its plaudits the play sparkles with rich characters and scintillating, raw dialogue, which entertains and amuses as it provokes. It could indeed, stand as a metaphor for society as a whole– are we not after all, in the broadest sense the members of the same family?

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EVERY BRILLIANT THING at the Tobacco Factory, Bristol

Imagine writing down everything that makes you smile, uplifts you, pleases you, makes you momentarily happy. Now suppose you start the list aged seven (starting with ice cream) and keep adding and adding with everything that delights you and those around you, including first love and abiding love. Like much of what is good in life it is inclusive: so here we find ‘peeing in the sea when no one knows’, ‘the jangling sound of keys’, ‘the smell of books’ and ‘a hairdresser who listens to what you want’. . . To spin gold from a mere list is no mean feat and this show produces it by the yard.

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1984 at Bath Theatre Royal

Orwell’s novel of existential angst (subsequently given the appearance of alarming prescience by events in the Cold War) set in a dystopian future, is well established as a classic of the genre. The mark of its status within the culture is that even those unfamiliar with the novel will likely have heard of Big Brother and Room 101 and thoughtcrime. The story is an ironic take on a post war Britain which has supposedly been subsumed into the super-state of Oceania, that is ruled by the invisible, omnipresent being known as Big Brother and who is not known directly, but only through his iconic image. It is a dark vision in which ‘thought crime’ is relentlessly policed and punished.

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ORPHEUS at Bristol Old Vic

This is an imagined reworking of the Orpheus and Euridice myth by Little Bulb Theatre in which Django Reinhardt, the famed gypsy jazz guitarist of the inter-war years Paris, acts out the role of Orpheus opposite a nightclub chanteuse. It’s a flimsy conceit, but allows a very talented group to entertain with some style. If you like your gypsy guitarists suave, dumb and with a permanent air of noble sacrifice, this Django is for you. . . . The silliness of much of the dumb show mixed with an effervescent bonhomie and vivacity of presentation, together with a great sense of fun and no small musical talent, whisk the whole concoction into a joy not to be missed.

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