Author: Graham Wyles

THE FATHER at the Theatre Royal, Bath

“The universally praised production of Christopher Hampton’s translation of Florian Zeller’s French hit returns, triumphantly, to the Theatre Royal, this time in the main house. I reviewed this, my favourite play of 2014, on its English premiere at the Ustinov and I’m pleased to say nothing has happened in the interim to alter my initial judgement. . . [Kenneth Cranham’s] performance has found new facets. Experiencing it is like watching a mirror shatter in slow motion as the shards separate, briefly reflecting some piece of past reality. . . ”

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THE OPEN COUPLE at the Alma, Bristol

It’s interesting to note how quickly a play can become a period piece. That’s not to say ‘dated’, since this production of Nobel Laureate Dario Fo and co-writer Franca Rame’s one act gem seems quite contemporary in Stuart Hood’s translation . . . This is the first production by TICTAC and I’m sure if they were to let their hair down a bit they’d be on track for much greater success.

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JODY KAMALI at the Wardrobe, Bristol

Bubbling along on ‘the circuit’ for some time now has been a new kind of act; not quite standup, not quite monologue (or dialogue) and in which personality – an essential ingredient of standup – blends with acting and narrative skill. A theatre of mock illusion, dumb-show and flights of fancy (and fantasy). The coming master of the genre is Bristol’s own Jody Kamali who is currently working-up his forthcoming Edinburgh act.

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THE GRAND GESTURE at the Tobacco Factory, Bristol

“This year’s crop of BOVTS students are undoubtedly a talented bunch and within the obvious constraints of casting a play with diverse ages amongst a group with reasonably homogenous ages turn in a very entertaining performance of this once banned Soviet era play. . . This adaption by Deborah McAndrew of Nikolai Erdman’s 1928 play, The Suicide, gives the original Russian a non-specific, but metropolitan UK setting with characters drawn from all over the kingdom . . . This is a highly enjoyable production that will be a good stepping stone for all concerned.”

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OKLAHOMA on tour

” . . . Anyone old enough to remember ‘Family Favourites’ on the BBC Light Programme will be familiar with most of the songs. The reason is simple: it is stuffed full of memorable tunes that were regularly requested by and for our lads overseas. As ‘feel good’ numbers go it doesn’t get much better than, ‘Oh What A Beautiful Mornin’, which opens the show . . . As a revival of the, ‘here’s one I made earlier and it’s perfect’ kind, this is a ‘whee ha!’ of a production that will have you coming up for air as the nostalgia washes over you.”

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