“. . . The timing is perfect, the idiosyncratic twitches and mannerisms, the playing with the glasses the tilt of the body, the thrust of a one-liner are all as you remember . . . You’ll find the Grieg’s Piano Concerto sketch and the paper bag gag done with as much freshness as at their first outing. Ashpitel and Stephens have worked hard to retrieve the original feeling of the routines and it has clearly been a labour of love. If you share the affection or if you ever wondered what your parents were groaning on about this show is for you.”