★★★☆☆ Patrick Barlow’s play is about two actors and an opera singer attempting to re-enact a new adaption of the famous nativity. Misremembering lines and a myriad of cock-ups get in the way, in this rather farcical production. With a mixture of comedy and music, there is a balanced blend of entertainment . . .

★★★☆☆ Despite its issues, there are some truly special moments. The stream of consciousness style is perfect for a show like this. With an inspired set and some good performances, there are moments that will make you laugh, and moments that are touching.

★★★★☆ Having come straight from Edinburgh, you can tell that everything has been finely tuned. This is a phenomenally slick production that could easily make its way to the West End. Everything from the claustrophobic set to the insular lighting brings the world of Skinner’s play to life . . .

Having never been to BE Festival, I was unsure of what to expect. From light research, I knew there would be performances from all over Europe. I also knew that there would be live music every night. But what I didn’t know were the little quirks to it, such as the homely pre-show lobby, filled with art installations and comfy sofas . . .