★★★★★ What really allows Much Ado to be completely user friendly is the clarity imbued in the spoken word and the tremendous playing in the round. Fantastic casting has given us truly believable characters that are able to leave us in awe at the magical power of the language.
Read More![Review: EXTRAORDINARY WALL [OF SILENCE] at the Weston Studio, Bristol Old Vic](https://stagetalkmagazine.com/wp-content/uploads/2019/09/Extraordinary-Wall.jpg)
★★★★☆ Building on testimonies from real deaf people, Ad Infinitum company explore the otherwise untapped world of Deaf Culture, revealed in turn as Alan, Graham and Helen are told that they are broken and must be fixed.
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★★★☆☆ We are first introduced to Gus and Ben, two hit men, as they lounge around on two beds in a basement. There is a pause. A rather long pause. This is to be expected, because after all it is Pinter, although the production avoids the temptation to overdo them. The characters are gradually introduced through a series of physical comedic moves.
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★★★★★ Dazzling theatricality will always win the day if combined with great pace and energy and The Lion King has it in abundance, with sharp as a razor scene changes. At the finale the audience rose as one and roared their approval. The latest version of The Lion King roars again.
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★★★☆☆ Told by Nell and Oscar the action rolls over a 400 year period, with each character popping up on the same Dorset beach. Annabel Baldwin as Oscar is a recent graduate, bounding around in a puppy like state; a would-be poet and swimmer . . .
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