In this, my first experience of live theatre since March I could not help thinking of the film Back to the Future. Is this really the way that theatre is going to be staged in the future? Will we be forever either looking longingly over our shoulder at the way things used to be . . .
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It is difficult to see when theatres can open again until both audiences and performers are able to be safe. The immediate physicality of theatre is both its greatest strength and, in these strange times, its greatest weakness
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★★★★☆ Created and performed by the tremendous Hattie Eason, Cameron Sharp, and Rebecca Glendenning we explore how three very different offspring interact with their mothers from childhood to the current day. The evening starts out in rather brash fashion with the three actors taking to microphones and strutting their stuff in a shouty song.
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★★★★★ Contemporary dance, like contemporary theatre can take many guises. To the unfamiliar it may appear baffling or overly technical or even, dare whisper it, pretentious. It can also be thrilling, challenging and downright entertaining. Thank goodness the Mark Bruce Company falls firmly in the latter category.
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★★★★☆ The final tour is made up of several newer works, remaining true to its origins by concentrating on classical pieces with the odd relatively contemporary one.
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