Author: Mike Whitton

WHILE THE SUN SHINES at the Theatre Royal, Bath

Although his first big hit was the comedy French Without Tears, Rattigan is best known today for serious dramas depicting the upper-middle class struggling with barely suppressed emotional conflicts. We certainly don’t think of him as a farceur. Nevertheless, the decidedly farcical While The Sun Shines was his biggest hit in its day and ran for well over a thousand performances at the Globe . . . Yes, it’s a period piece, but a good one. Thoroughly enjoyable.

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SPILL at the Wardrobe, Bristol

There is much in Spill that is excruciatingly funny and, to these old ears, downright peculiar – I shall never look at a shower curtain in quite the same way again. But in general we are not invited to mock, but rather to empathise. One of the characters is a poetically articulate gay man who ruefully recognizes that his experiences so far have clearly fallen far short of his aspirations . . . I am sure its multi-talented, energetic cast will have great success when they take Spill to the Edinburgh Fringe.

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SLAPSTICK AND SLAUGHTER at the Wardrobe Theatre, Bristol

Desperate Men have been devising highly original and often startling street theatre for 35 years . . . Dada prepared the ground for a wide range of ‘anti-establishment’ comedy; think of The Goons or Monty Python. Free from all the usual restraints of narrative, character and even language, Slapstick And Slaughter will not be to everyone’s taste, but it’s perfect for the Wardrobe and was received rapturously last night. Street theatre indoors! I loved it.

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LADY ANNA: ALL AT SEA at Bath Theatre Royal

To commemorate Anthony Trollope’s 200th birthday, Craig Baxter was commissioned by the Trollope Society to write a dramatized version of Lady Anna. Seldom read today, this is a conventional Victorian tale of a young woman of noble birth who must choose either to be wedded off to a young earl who matches her in social status but whom she does not love, or to marry her childhood sweetheart, a poor tailor. . . a very inventive and often amusing way of breathing new life into an old story.

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THE DIARY OF A HOUNSLOW GIRL at Tobacco Factory Theatres, Bristol

This is a slickly choreographed and beautifully lit production. The set may be simple, but during the course of the show we discover that it has a number of tricks up its sleeve, as when we see Shahida’s video messages projected on the bedroom door. This is laugh out loud funny, poignant and thought-provoking by turns, and it fully engaged my interest.

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