Author: Simon Bishop

Thoroughly Modern Millie at Bath Theatre Royal

★★★★☆ There is much to enjoy in director and choreographer Racky Plew’s production: a typing pool rattles with syncopated rhythm; a dazzling ensemble in silver and black deco-inspired flapper dresses tap and Charleston their way while a sharp band delivers delicious sax and clarinet lines from the pit.

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SHERLOCK HOLMES: THE FINAL CURTAIN on tour

★★★☆☆ Jonathan Fensom’s set of the study in 221B Baker Street was lovingly adorned with detail – picture rails, fireplace and gas and electric lights. The sweep of a full curtain across the stage revealed new tableaux each time it passed, but it failed to reveal the level of excitement that would ­­have sustained a Conan Doyle original.

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Matthew Bourne’s CINDERELLA at Bristol Hippodrome

★★★★☆ Bourne’s greatest skill remains his ability to immerse himself totally in a score and play the notes with human gestures and movements in perfect sync. Prokofiev’s rich waltzes and occasionally discordant horns and strings have provoked some stunning passages in this presentation.

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