Review: English National Ballet – Akram Khan’s GISELLE at Bristol Hippodrome
★★★★★ There were many damp faces looking on as the curtain fell. Unmissable.
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Author: Simon Bishop
Review: THE MERCHANT OF VENICE 1936 at Swan Theatre, Stratford-Upon-Avon
★★★★☆ Tracy-Ann Oberman is likely to be in her career-defining role as the first female in the role of the money-lender.
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Review: BINGO AT TIFFANY’S WITH AUDREY HEARTBURN at Tobacco Factory Theatres
★★★★☆ Any lingering reticence in the audience was effectively blown away by the exuberant madness taking place before it.
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Review: ABIGAIL’S PARTY at Bath Theatre Royal
★★★☆☆ All Leigh’s plays and films have, at one level or another, dealt with the tension between conforming or being your true self, between following the rules or breaking them
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Review: THE FLYING DUTCHMAN at Great Eastern Hall, SS Great Britain
★★★★★ Director Lucy Bradley’s vision for the piece has injected this ‘Dutchman’ with a searing new relevance – a contemporary take on our ideas of state, home and those seeking shelter.
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