Author: Will Amott

Roald Dahl’s THE BFG at Birmingham Rep

” . . The contributions of the supporting players here are outstanding. Mei Mac is the most consistently comic performer. She and Mike Goodenough have wonderful synergy in their performances as Corgi and Queen . . , There is an honesty in its intent that is very easy to appreciate A problem arose with two odd jokes in its second half—whether they were offensive, or “politically incorrect,” or simply poorly delivered, I do not know—but the team may do well to avoid such material as it can make the show seem dated.”

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A FAREWELL TO ARMS at Birmingham Rep Studio

“. . . The story follows Frederic Henry (Jude Monk McGowan) and his time fighting as an American soldier in the Italian army including and eventually limited to his relationship with English nurse Catherine Barkley (Laura Atherton) . . . Atherton’s performance is one that confounds me still, even on reflection. Is it some kind of surreptitious genius? Is she supposed to be so annoying? Is it a commentary on women, whether of the period or through Hemingway’s eyes? I would argue not, but its imbalanced nature lends itself to readings of the play (and the novel) as one that is as variegated as its audience . . . “

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THE TRIAL at Birmingham Rep

“. . . The second act is pitched far more cutely, buoyed by the tremendous performance of Paul Curievici as the ridiculous Titorelli. His comedy is apparent, his grin is wide, yet there is a penumbral source of consternation, a creeping dread. The mercurial quality that the production is attempting to achieve seems most concrete in Curievici’s performance, as opposed to the broad strokes of Bennett and Folwell . . . It is an enjoyable, perverse and kinetic production, one held back by its unwillingness to be more perverse.”

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SOLOMAN AND MARION at Birmingham Rep Studio

“. . . [Suzman] is an undeniably accomplished stage presence, emanating warmth in even her steeliest moments . . . it is Anthony who makes the greater impression here. Charming yet volatile, the speech in which Solomon finally gives “Miss Marion” full disclosure for his reasons for watching her is a masterclass in emotive storytelling . . . Quiet and disquieting, Solomon and Marion is a story of discursive revelation, one where a pineapple atop a television makes a strong case for hopefulness.”

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BIRD at the Door, Birmingham Rep

” . . . Amaka Okafor is dynamic and effective as the titular character, full of vim and vigour. She is adept at transforming teenage bravado into tenderness, particularly as the show progresses and she settles into the role. It is a mercurial performance, one in which she does wonderful things with material that perhaps isn’t as strong as she is. . . Bird is a story worth telling, and worth watching. Lomas and Okafor are both ones to watch.”

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