THE CHERRY ORCHARD at the Bristol Old Vic
★★★★★ In a play that fastidiously avoids any hierarchical bias of interest as far as ‘star’ parts are concerned, Kirsty Bushell, has nevertheless produced a lambent Ranyevskaya. Animated in her indolence and with an engaging osculatory incontinence, she has produced a character mesmerized, by the headlights of her own looming destruction, into a crippling inertia
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