Tag: Bristol Old Vic

I KNOW ALL THE SECRETS IN MY WORLD at the Bristol Old Vic Studio

Written and directed by artistic director Natalie Ibu, I Know… represents the company’s most ambitious production and tour so far. Ibu describes the motivation behind the play: “A transformative moment – where the play really found itself – was when I found out, over Facebook, that I had five half brothers in Nigeria that I didn’t know about. I found myself grieving five men that hadn’t died but were absent . . .

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PINK MIST at Bristol Old Vic

It tells the story of three young Bristol boys, friends since primary school, who enlist in the army to escape the banality and tick-tock drudgery of civilian life. Arthur has been driving cars off the container ships at Portbury docks: ‘… parking them in perfect lines, like headstones in a cemetery… Every day. Every week. Every month.’ Geraint – inevitably known as Taff – has been working as an apprentice, ‘on crap pay to a St Paul’s plumber’, and he is hungry for something different . . . I left the theatre feeling deeply grateful that neither of my boys followed the path taken by Arthur and his friends. Pink Mist is unmissable.

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Return of JANE EYRE to the Bristol Old Vic

Apart from making the play a little more accessible to some theatre-going punters little has changed in terms of the overall arc of the play. Any temptation to concentrate on the love story has been resisted, with due weight being given to what Rebecca Goldstein has referred to as, ‘mattering’, that is that self-reflection of an individual’s worth; a question which has been troubling us since Homer’s Illiad . . . The music underlines the emotional journey that mirrors the intellectual struggle that finds its flowering in the meeting of two minds, which is the bedrock of Jane’s relationship with Rochester.

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ST JOAN OF THE STOCKYARDS at the Bristol Old Vic

I think it is clear why St Joan of the Stockyards has seldom been revived. At one point Joan steps out of character to exclaim, ‘I don’t know what’s going on in this play anymore!’ and I suspect that many in the audience will feel the same, for the ‘oily machinations’ of the businessmen are presented in a bewilderingly complex fashion. . . I enjoyed the skill, energy and commitment of the young actors, but I couldn’t help feeling that they deserved a better play with which to demonstrate their considerable talents.

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