Tag: Bristol Old Vic

UNDER THE DARK MOON at the Bristol Old Vic

” . . . When I first saw this show a couple of years ago, in a tent behind Bristol’s Temple Meads station my impression was of unfulfilled potential. The skills of the members of Invisible Circus seemed to open up possibilities not available to conventionally trained actors . . . With the current production we are in the realm of fantasy to which the company is well suited and whilst they delight to entertain, grand success can only be a matter of time.”

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MASS at the Bristol Old Vic Studio

” . . . Risking excommunication, and taking audience participation into hitherto unexplored territory, Amy Mason has created a totally non-churchy ceremony for our times, modelled closely in structure on the Catholic Mass. A recent survey suggests that less than 40% of us are religious, a statistic supported at the start of the evening by the few hands raised in response to the question, ‘Do you believe in God?’ Has this absence of faith created a vacuum and, if so, what might be filling it? . . . “

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ABLUTIONS at the Bristol Old Vic Studio

“Any play about alcoholics is setting itself a challenge. Drunks in themselves are not particularly interesting. ‘Booze talking’ is usually dull. The interest lies in how they got there or how they got out of there or the truths told under the influence. This offering, based on the novel of the same name by Canadian author and Booker nominee, Patrick deWitt, takes none of these lines, opting instead for a ramble through a struggle with addiction . . . Bertrand Lesca’s direction manages to keep a grip on the episodic nature of the play and generates some kind of momentum towards what becomes clear quite early on as the inevitable outcome . . . “

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THE HERESY OF LOVE at the Bristol Old Vic

“. . . A heady mix of intrigue, passion and sexual politics, Heresy of Love is an ambitious play, and this Bristol Old Vic Theatre School production, ably directed by Jenny Stephens, certainly does it justice. . . . This is a wordy play with a number of weighty themes, but in this production it seldom seems too heavily freighted with ideas. The cast give each character a distinct individuality, and there are many shifts in mood. . . This is a thoroughly enjoyable production of a powerful play. Thoroughly recommended. “

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DETECTIVE O & THE COLD CASE CAPER at the Bristol Old Vic Studio

” . . . To a great sound track by local musician Kid Carpet, Cori found ‘clues’ amongst the audience and with the children’s participation started to find links to the missing mini-girl . . . The show is fun and quite gentle – no loud bangs for instance, and relies solely on Cori’s unquestionable talent for instilling life into inanimate objects and her confident and friendly manner. As an alternative to the annual panto, this is a good entrée to the world of theatre for the very young.

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