Tag: Everyman Theatre Cheltenham

THE MARKED at the Everyman Studio, Cheltenham

I saw Theatre Témoin’s last piece at the Everyman Studio, The Fantasist, two years ago and rated it very highly. Their current offering, a devised play entitled The Marked, is presented as a work in progress and, as I understand it, has been developed in the Everyman Studio and previously at the Camden People’s Theatre in London.

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THE PERFECT MURDER at the Everyman, Cheltenham

The plot takes us behind the suburban closed doors of unhappily married couple Victor and Joan Smiley whose loathing for each other is convincingly demonstrated by a good half hour of bickering at the start of the proceedings. Smiley by name, but sadly, not by nature. Victor finds solace in regular visits to a Croatian tart (or sex worker as I believe they are now called) nicely played by Simona Armstrong. In fact Victor is quite smitten with Kamila and plans to murder his wife and run off with her.

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ALIVE AND BREL at the Everyman Studio, Cheltenham

The French are useless at rock ’n’ roll. They have the look and they have the style but they don’t have the balls. What screws them is their obsession with words, with lyrics; they must say something. Do Wah Diddy and Tutti Fruiti just won’t cut it for them. Consequently the French miss out on having any big worldwide rock or pop stars – Johnny Hallyday and Eddy Mitchell notwithstanding.

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ROUND AND ROUND THE GARDEN at the Everyman, Cheltenham

Unlike the sixties, the 1970s have yet to take on the mantle of sexiness and most things related to it are considered a bit naff . . . Round and Round the Garden is a pleasant enough diversion about boring people – or, at least, boring men – leading their hum-drum tedious lives as vets, estate agents and assistant librarians hoping for a bit of excitement and distraction by groping each other’s spouses . . .

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TEECHERS at Cheltenham and Gloucester

A production from the Everyman Studio, Cheltenham. Teechers is a well-crafted, well observed and, you could say, political comedy that knows where it’s coming from. There are several underlying messages and occasionally an overt tirade about equality and opportunity but the general consensus is that everybody would be much happier and more fulfilled at Saint Georges, the posh school on the other side of town. Paul Milton’s direction was tight and to the point and had some nice touches. Very enjoyable and recommended.

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