” . . . The bulk of the second half was taken up by Peter Clifford whose warm, engaging and self-effacing performance created such a relaxed and happy atmosphere that audience members who would normally dread being called up on stage were almost clammering to be selected. Nearly all of Peter’s tricks were familiar – the interlocking steel rings, the restoring the cut-up rope – in fact all the things I had in my boyhood conjuring set. But Peter brought to each illusion a new and exciting twist. . . “

“. . . Wink Taylor is right in his element playing Kenneth Williams. He is an extraordinary and impressive impressionist and has the voice, mannerisms and persona off to a tee. . . Messrs Taylor and Barton are to be congratulated on SERIOUSLY FUNNY for their writing, insight and performances. Iain Barton’s performance as Hancock was sympathetic and sensitive while Wink Taylor’s Kenneth Williams was almost as good as the real thing.”

” . . . All the performances were superlative and impossible to fault. Jonathan Guy Lewis was painful to watch as a man destroying himself and all those around him, craving the respect which he no longer deserves . . . Michael Brandon, as the lawyer Alfieri, tells the story and takes part in the action. He brings a calm authority and sanity to the proceedings but his entreaties are unable to remove Eddie’s finger from the self-destruct button . . . this is a must-see, tour-de-force play with some outstanding performances.”