★★★★☆ His method is to assume a kind of studied hesitancy which has an endearing quality that gives the impression of spontaneity. 

★★★★★ David Mamet’s 1992 play seems doomed to be perennially relevant. In Lucy Bailey’s clear and pulsating production at the Ustinov it’s clear to see why. Whatever Mr Mamet’s intention at the time of writing the play raises profound questions which do not rely on the, did he/didn’t he? puzzle of the real life drama.

★★★★★ What is ‘realistic’ about these Joneses lies not merely their surface naturalism, but in the way that, in their desperation and in their need for each other, they speak movingly of our shared mortality. 

★★★★☆ This highly original one-act play depicts the dilemmas faced by two characters who find themselves trapped in a lonely situation of their own making. Yoo Nanhee is a North Korean woman who has made the perilous journey to South Korea in order to escape oppression and poverty. 

★★★☆☆ Fulfilling a personal ambition to write and perform in his own show, David Edgar, perhaps best known his memorable RSC production of The Life and Times of Nicholas Nickleby at the Aldwych Theatre in 1980, and who cut his theatrical teeth laying into the National Front, has been intrigued by the idea of a ‘letter to the future’ conversation with himself