The Case of the Frightened Lady at Bath Theatre Royal

★★☆☆☆ Back in the day, before well-known actors were ‘celebrities’, a producer with a bit of clout could persuade a star to risk their reputation on the road for six weeks. Prior to the rise in popularity and ubiquity of TV the summer tour would be the only means whereby the provinces could get a good gawp at the folk they had read about or perhaps seen at the movies.

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Great Expectations at the Everyman, Cheltenham

★★☆☆☆ It is intensely frustrating when there are clear virtues in a play but it is ultimately unwound by too many hiccups and overarching structural issues. Such is the case with Great Expectations . . . It’s a great pity. I just wish the talent off-stage had been working as hard as the people on it.

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ART at Bath Theatre Royal

★★★★☆ From its first English run some twenty years ago the play has attracted strong casts; each character is allowed to run the gamut from indignation to pathos with a good dose of self-indulgent anger and self-pity on offer. The present cast of well-seasoned and likeable favourites, Messrs. Tompkinson, Havers and Lawson all rise to the challenge with nicely delineated characters.

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THE DRILL at The Door at Birmingham Rep

★★★☆☆ All the three unnamed characters want to do is lead their ‘normal’ lives. But normality is called into question by The Drill, a series of emergency planning rehearsals and scenarios designed to help them survive, respond and cope when faced with a disaster or terrorist atrocity. The distinction between normal and the unthinkable is gradually eroded over the hour of this quick fire drama.

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SHERLOCK HOLMES: THE FINAL CURTAIN on tour

★★★☆☆ Jonathan Fensom’s set of the study in 221B Baker Street was lovingly adorned with detail – picture rails, fireplace and gas and electric lights. The sweep of a full curtain across the stage revealed new tableaux each time it passed, but it failed to reveal the level of excitement that would ­­have sustained a Conan Doyle original.

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