A JUDGEMENT IN STONE at the Cheltenham Everyman

★★★☆☆ Ruth Rendell’s lauded crime novel has been newly adapted courtesy of Bill Kenwright and directed by Roy Marsden – himself a veteran of appearing in and directing crime procedurals, not least in Cheltenham last year with Rehearsal for Murder. This is very much a successor to the work of the Agatha Christie Theatre Company’s work and will prove very satisfying to fans of police procedurals and crime thrillers.

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CellarDoor Theatre’s Frankenstein at the Bristol Bierkeller

★★★★☆ CellarDoor Theatre’s production of the classic horror story Frankenstein opens with a near bare arena. The creature is alone, wrapped like an embryo in the translucent film that hangs from a scaffold frame. It awakens; breathing, writhing and choking. There are no grand machines or lightning strikes; the creature stands, stumbles and falls over and again…

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Birmingham Royal Ballet at the Cheltenham Everyman

★★★★☆ This night began as a night at the ballet should, with that rare thing – the sound of a live orchestra tuning-up over expectant audience hubbub. And then suddenly, it was curtain-up into a transformed world of grace, drama and beauty, as music and motion, staging and costume merged into an astonishing and indescribable whole. And who better to produce that alchemy than The Birmingham Royal Ballet accompanied by the RB Sinfonia?

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GIVE ME YOUR LOVE at The North Wall, Oxford

★★★★★ Visually the performance has been called ‘a cross between a Beckett play and a Monty Python sketch’ and certainly the Beckett comparison rings true – think Happy Days, where Winnie is buried to her waist and neck in a mound of earth, or That Time, where the character sits silently and his own voice is heard recalling his past . . . A must-see!

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