KING CHARLES III at the Everyman, Cheltenham

There was a time, not so long ago, when Prince Charles was considered a bit of a joke, what with his talking to plants and his rantings about carbuncular, modern architecture and ecological issues. After a life spent hanging around in a waiting room, with an appointment yet to be fixed, it is understandable that he would get a bit distracted . . . But the tide has turned. The Prince of Wales is now seen to have been right in many things . . .

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DeNada Dance Theatre HAM & PASSION at the MAC, Birmingham

The provocation and confrontation inherent in queer (re)imaginings of familiar material is utilised well throughout Ham & Passion. The audience are encouraged to at least acknowledge, if not always overturn their own expectations, and challenged to try to apply a personal logic to the proceedings and their semiotics. What is primal? What is sex? How might masculinity be a performance?

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THE ME SHOW in the Everyman Studio, Cheltenham

Bill Buffery and Gill Nathanson, who are MultiStory, put on a good show. They are two very accomplished and confident actors who obviously know what they think, know what they want to say and know how to say it. Their plays are well thought out, well performed and, most importantly, balanced . . .

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A MIDSUMMER NIGHT’S DREAM at Stratford

Director Erica Whyman has magic-ed Shakespeare’s Dream into a fast, furious and imaginative fun fiesta. And to judge from this Stratford performance it will radiate national delight as it tours from March, supported by fourteen am-dram companies and armies of children turned into fairies . . . ‘The Dream’ is the play which wins many a young person to Shakespeare and this production, especially if its poetic depth grows in performance, should bring many to the fold.

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THE GLENN MILLER STORY at the Bristol Hippodrome

Even by the shaky standards of show-biz biography this production pushes its luck, not least in the casting of its lead man. Glenn Miller’s plane disappeared over the English Channel in 1944, when he was 40; Tommy Steele is in his eightieth year. Miller was leader of the most successful of the great swing bands; Steele is a one-time rock and roller, now long- established as a song and dance man. How can that possibly work?

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