DIRTY ROTTEN SCOUNDRELS at the Bristol Hippodrome

DIRTY ROTTEN SCOUNDRELS at the Bristol Hippodrome

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The stylish Michael Praed is wonderfully languid and vain as Jameson, masquerading as a prince from some Ruritanian backwater as he smoothly seduces wealthy ladies into handing over their jewellery. In comic contrast, Noel Sullivan is outrageously uncivilised as Benson, a Jack-the-lad who makes up for his lack of sophistication with formidable cunning. Much of the fun in this hugely entertaining show comes from the disguises they adopt as they try to dupe their chosen victims and outwit each other at the same time.

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BEFORE THE PARTY on tour.

BEFORE THE PARTY on tour.

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Rodney Ackland was, in the 1930s, ranked alongside Terence Rattigan, Noel Coward and J B Priestley as a playwright of note. Priestley’s An Inspector Calls never goes away, Rattigan is always being revived and Coward is, well, Coward. But Rodney Ackland? His play Before the Party, adapted from Somerset Maugham’s short story, does little to persuade us of the status he once, apparently, commanded. Whereas the plays of other the three aforementioned writers are equally stuck in time and place they are either relevant today or are very witty. Before the Party, sadly was neither

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HAIRSPRAY at Malvern Theatres

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The effervescent musical, Hairspray, explodes on stage at Malvern Theatres for the first time this week. Bringing a whole new audience demographic to the venue, this latest incarnation of the show delivers awesome vocals, vibrant choreography and a feel good factor that would soften the hardest of hearts. Set in Baltimore in 1962 at a time of monumental political and social change, it is a giddy tale of one teenagers belief for a brighter future and the lengths she’ll go to achieve her dreams . . . Brenda Edwards is stunning as Motormouth Maybelle and gives the most incredible, awe inspiring rendition of I Know Where I’ve Been

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RAYMONDO at the Bristol Old Vic

RAYMONDO at the Bristol Old Vic

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Marcus Hamblett’s clever music score augments the atmosphere, and shifts in mood are emphasized by skillfully placed changes in the lighting, but above all Raymondo is a dazzling display of unconventional story-telling. There will be those who find the language a little too self-consciously aware of its own cleverness, but I was totally absorbed by this strange and beguiling tale. Annie Siddons has described Raymondo as being about ‘resilience, adversity, fraternity and love.’ By delivering these themes through the medium of magical realism she has been able to let her imagination run free, to great effect.

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1984 at Bath Theatre Royal

1984 at Bath Theatre Royal

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Orwell’s novel of existential angst (subsequently given the appearance of alarming prescience by events in the Cold War) set in a dystopian future, is well established as a classic of the genre. The mark of its status within the culture is that even those unfamiliar with the novel will likely have heard of Big Brother and Room 101 and thoughtcrime. The story is an ironic take on a post war Britain which has supposedly been subsumed into the super-state of Oceania, that is ruled by the invisible, omnipresent being known as Big Brother and who is not known directly, but only through his iconic image. It is a dark vision in which ‘thought crime’ is relentlessly policed and punished.

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HANDBAGGED at the Oxford Playhouse

HANDBAGGED at the Oxford Playhouse

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Name the two most influential British women of the past 50 years. I can confidently predict (mainly because we are not face to face, so I can happily make up statistics with no fear of repercussions) that 95% of you said The Queen and Margaret Thatcher . . . Seamlessly mixing the serious with the absurd, Handbagged is great fun. It’s a real treat to get to imagine what made The Queen and Margaret Thatcher tick, and to get to know them, just a little bit. Yes they were influential figureheads, but they were also real people.

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