Complicité’s THE ENCOUNTER on tour

Simon McBurney is a consummate and passionate storyteller who expertly conveys the wonder, excitement and tension of his story. Based on the account of the explorer, Loren McIntyre as related in the book, Amazon Beaming, by Petru Popescu, he uses theatre to take his audience where the book could not go. His jungle is constructed aurally in the audience’s heads and is a wonderfully vivid creation which also makes use of clever design, lighting and projection . . . The play is a considerable creative achievement which brings storytelling enthrallingly up to date.

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THE BOGUS WOMAN at Cheltenham and Oxford

The Bogus Woman is compelling, harrowing theatre which fulfils one of the basic requirements of any form of art – it makes you look at the world differently. All those concerned have a right to be immensely proud of their achievement but most of the praise must go to Krissi Bohn who delivered a virtuoso, tour-de-force performance the like of which you will rarely see. This was a truly remarkable and memorable evening about an issue which is becoming increasingly difficult to ignore and will inevitably, ultimately affect all our lives.

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A Murder is Announced at the Everyman, Cheltenham

Miss Marple has very big boots. To fill them, in light of previous wearers, is no mean feat and one not without certain dangers . . . Miss Marple is usually played as rather prim and proper or, in the case of Margaret Rutherford, as a battle axe. Judy Cornwell has found a new way of presenting her – frumpy, dowdy even – all cardigans, charity-shop tweeds and trilby hats . . . Entertaining stuff, but you have to pay attention. All in all it was what it said on the tin, no more, no less and if you like a good Agatha Christie who-dunnit then you’ll enjoy this one.

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KING CHARLES III on tour

The Queen is dead: after a lifetime of waiting, Prince Charles ascends the throne – a future of power. But how to rule? Should a monarch’s power be merely ceremonial, or should they use the power bestowed upon them by their birth to act on matters of conscience? . . .A unique play with a bold vision, it is refreshing to see such themes explored in modern theatre . . . Fantastical? Yes – but once you’ve jumped the hurdle of unlikely events, it makes for fascinating and compelling theatre.

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LIFE RAFT at the Bristol Old Vic

Life Raft is undeniably bleak, and at times all seems futile: ‘Let’s row’- ‘Where to?’- ‘To the end.’ There is cynicism, too, as when democracy is dismissed as a system where ‘even idiots get the vote’. But we also see signs of hope for humanity. A key turning point in the play occurs when, driven by superstition, the children decide that their troubles are rooted in the fact that there are thirteen of them. What follows is a kind of dreadful balloon debate, when each of them is urged to justify his or her survival and nominate someone who should not be spared . . . Bleak, yes, but very powerful.

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The EVER HOPEFUL Rep Season at the So & So Club

Although strictly speaking the So & So Arts Club in London is out of our jurisdiction we are including their Ever Hopeful Rep Season because, firstly, we like rep and secondly, because the club is open to all artists and actors and makes a great base/focal point for actors visiting London from the provinces. Last night Graham Wyles saw Mercy by Clare Whitehead. This short, delicate and sensitively acted, interior play is perfectly suited to the congenial atmosphere of the So and So’s premises in Fredericks Place and is a welcome piece of new writing for an often neglected part of society.

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