DEAD DOG IN A SUITCASE on tour
“. . . Michael Vale’s set for Dead Dog in a Suitcase brings to mind a chef’s batterie de cuisine. This workmanlike set, not a backwash any more than Charles Hazelwood’s vigorous and eclectic score, gives the actors the tools for this reworking of John Gay’s eighteenth century ballad opera . . . Giles King perhaps being worth a mention for his wayward policeman, Lockit, who galloped around the stage with easily bought enthusiasm. The whole production is a triumph of theatrical creativity which is firmly in the best Kneehigh tradition – a must see. . . “
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