THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME on tour

Part detective story, part road trip, part family drama and part psychological analysis with comic notes, the play defies easy categorization. . . The Curious Incident of the Dog in the Night-Time has us consider a life without metaphor and stripped of the petty emotions that lubricate or irritate human interaction. . . The final positive message of the play is that it is not really a question of ‘us and them’, but rather of the varieties of humanity being on a continuum. Could anything be more positive?

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AS YOU LIKE IT in the gardens of Lady Margaret Hall, Oxford

The setting is very important in this production. The director, Tom Littler, has chosen to set the play in Nazi-occupied France during World War II – Duke Frederick is a Nazi-collaborator, while the exiles in the woods are the French resistance. This clever interpretation gives an interesting, modern dimension to the play . . . All in all, this was a wonderful romp in the woods; just as Shakespeare himself would have liked it.

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TALKING HEADS on tour

Bennett takes us inside the head of three protagonists who are all in some way trying to postpone a bleaker future. Their passions for order or for simple continuity are both pitiable and at times hilarious . . . It is a testament to Alan Bennett’s acute observation that it is possible to believe a single biscuit in the wrong place could possibly mean the difference between a job lost or an unwanted referral to a home. How our lives are so precariously poised!

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AVENUE Q on tour

Avenue Q is a show like no other. It brings together elements with which we are all familiar and presents them in a hotch-potch of styles, ranging from children’s TV puppet shows to lavish musical with a lot of serious issues thrown in for good measure. If you haven’t seen it I recommend that you do. If you don’t fancy it, you don’t think it’s your kind of thing, think again. The show has so much feel-good factor that you’d have to be a real curmudgeon not to love it.

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ABSENT FRIENDS at the Everyman, Cheltenham

Absent Friends was written in 1974, arguably when Ayckbourn was at his peak – his previous two plays had been The Norman Conquests and Absurd Person Singular. So, although I had not seen Absent Friends before, it was with a light heart and carefree spring to my step that I arrived at the Everyman in the hope and anticipation of seeing vintage Ayckbourn at its very best. And, I am pleased to announce, it was.

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