“. . . The show tells the story of Cornley Polytechnic Dramatic Society as they put on their annual Christmas production of Peter Pan. Everything that could go wrong in amateur theatre does so in this production, and to comedic effect . . . The finale to the show is perfectly riotous; again to say too much about it would be unforgivable, but it has the audience in stitches until their sides ache. The frantic pace continues from start to end. Hysterically funny: I can’t remember the last time I laughed as much . . . ”

“If you look Dory Previn up on YouTube you’ll see that her clips have been viewed on average about 20,000 times each. By comparison Kate Bush’s views on the video-sharing website number in the many millions. Both women were working in the 1970s, both were writing highly original and personal material with sometimes quirky lyrics . . . Kate Dimbleby’s celebratory exploration of Previn’s experiences and songbook breathed life back into this deeply personal work that has always existed outside music’s mainstream.”

“. . . In your face, up your bottom, Fleabag is about sex – shedloads of it during a steamy, hilarious and sometimes disturbing hour. Bright-eyed, rouge-lipped Maddie Rice delivers Phoebe Waller-Bridge’s pulsating, award-winning monologue with disarming easy confidence . . . Waller-Bridge is a voice to be reckoned with. Take note, this woman knows no fear. At a time when post modernist feminism is battering at The Sun to remove its topless page 3, along comes Fleabag to post us a vagina selfie. You work it out! Brilliant.”