Birmingham Royal Ballet DARKNESS AND LIGHT

“Birmingham Royal Ballet’s current short season, Darkness and Light, at the Hippodrome is a tribute to Frederick Ashton comprising, as it does, three of his short pieces. These are modern ballet as opposed to contemporary ballet and nicely form a bridge between that and the classical form. The evening itself was one of contrasts, veering from whimsy to drama to comedy…The fact is, I loved every moment of Façade – my only criticism being that it was far too short. “

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BETTY BLUE EYES at the Oxford Playhouse

“A wonderfully silly piece of theatre, Betty Blue Eyes could only have been invented by Alan Bennett…. I always enjoy a musical, and this one is very catchy, hitting all the right notes (pun intended) with the audience. As I write my review, I find myself humming A Place on the Parade and Fair Shares for All. The bigger dance numbers were particularly good, and I wouldn’t have minded a few more of these….If you need a laugh during this rainy week, I would encourage you to visit the Oxford Playhouse and let Betty Blue Eyes cheer you up.”

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STAND – Oxford Playhouse plays out

“It’s a very simple set up: six actors sit in a row on the stage in West Oxford Community Centre on Botley Road and tell the stories of six members of our community…It was a privilege to be a witness to these personal experiences,and to feel such a wonderful sense of community, though I did also feel like a bit of an inferior human being in the presence of such passion, whether their stands were successful or not…. Inspirational, funny, moving, I can’t recommend this highly enough.”

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Giffords Circus THE THUNDERS

“…Giffords Circus is now in its fourteenth year and every time it comes round it is bigger and better. The Thunders I think is possibly the best show I’ve seen. The theme seemed to click and apply itself to all the acts…As I said, Giffords Circus goes from strength to strength and if you have already seen them you won’t need persuading to go along to a village green near you to see The Thunders…” STOP PRESS – New Video is here!

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WOT? NO FISH!! on tour

“…the tale is, as Danny Braverman describes it, “bitter-sweet, funny in parts, poignant in others”. It tells the story of the Jewish experience in London from the 1920s, through the Second World War, and on to the 1980s, and yet has a wonderfully universal feel, intertwining history and culture and family in the way that really great storytelling can do…”

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