Bristol OLD VIC

". . . A heady mix of intrigue, passion and sexual politics, Heresy of Love is an ambitious play, and this Bristol Old Vic Theatre School production, ably directed by Jenny Stephens, certainly does it justice. . . . Thi...

" . . . To a great sound track by local musician Kid Carpet, Cori found ‘clues’ amongst the audience and with the children’s participation started to find links to the missing mini-girl . . . The show is fun and qu...

"It has often been said of Harold Pinter that the silences are as important as the dialogue (as someone who has dried on a West End stage let me tell you silence is not all it is cracked up to be) so in Light the darknes...

"The book is one of those more sniggered about than read. Not so much a manual of sex as the 70’s bearded recipe book, The Joy of Sex, but the reminiscences, laid out in letter form, of a young, parentless country girl...

The house was full and that certain kind of lively buzz form a primarily youth audience was matched and controlled by an even flow of energy and commitment in the company’s performance. The pace was snappy and well cho...

". . . Helen Edmunson’s script sucks the marrow from the book whilst Tom Morris’s direction (revived in this production by Pieter Lawman), spreads it across the stage in a dazzling display of theatrical ingenuity. It...

It is a formidable task to create a play suitable for a family audience that nevertheless conveys something of the realities of life and death in the trenches of the First World War. Director Toby Hulse has responded to ...

". . . Institute is no walk in the park. The enhanced sound of the dancers’ breath and breathing told us a lot of what we needed to know about their state of mind, and sometimes the physical effort of their work. There...

" . . Her personal style is engaging and fluid and not without a sense of humour. . . . It’s a brave thing to do to think you can entertain a bunch of people in this way, but Hannah Sullivan does it in some style. He...

". . . Charlotte Melia, as the storyteller, turns in a commanding performance. Her style is the very lack of style in that she could be any intelligent, opinionated woman suffering anguish at what some may describe as lo...

". . . Jonathan Goddard’s interpretation of the title role is entirely free of cliché. No swirling cape, no Christopher Lee, no Hammer horror. Instead, in a performance that skillfully conveys both muscularity and vul...

"...Niamh Cusack literally and metaphorically rolls her sleeves up as the embodiment of long-suffering Irish womanhood in a role which comfortably extends her range well beyond that with which her TV audience will be fam...