23 – 28 June
This is a bold show. Rifco Theatre led by Artistic Director Pravesh Kumar MBE, explores Bollywood from a UK South Asian perspective. The patriarchy and misogyny in Bollywood and India, plus racism in the UK is a lot to cover. These issues are presented in a multi-layered musical combining traditional Bollywood melodies with western music theatre. The show’s title plays on Frankie Goes to Hollywood – an unapologetically queer pop group who broke the mould in 1980’s UK.
The story centres on Frankie, (Sarah Pearson) a woman who has little interest in fame and instead longs for belonging. She yearns not only for an immediate family but also to feel she belongs in the UK without the racism she and friend Goldy (Katie Stassy) encounter. She hopes to find both in Bollywood. But thrust into the cut-throat world of Bollywood she discovers the sexism and darkness that also lurk there.
The choreography /movement /costumes by Andy Kumar, Nicola Rea and Anna Marie Barber cleverly blend the rich cultural South Asian dance tradition with western musical theatre in a powerful mix. This for me is the heart of the show. Aided by a strong soundtrack, it’s witty and fast paced, sometimes cheesy but always entertaining.
There are stand out performances. Malakia, (Meher Pavri) has a lovely voice, and her song of rejection due to her ageing, supported with Khatak inspired choreography, is stunning although the live singing was slightly inconsistent at times with some lyrics lost. Pearson as the lead is a powerful actor and talented dancer, while Ankhur Sabharwal (Raju King) comedic and with a strong delivery
The Mughal archway always on stage as an entrance to the action ensured continuity and the set is very effective, particularly so in the second half where storyline, soundtrack and wondrous lighting (Phillip Gladwell) are skilfully integrated.
Ultimately, Frankie must decide how much of her identity and integrity she is willing to risk for fortune and belonging. I feel it’s important in its bringing of the South Asian experience to a wider audience. Serious issues regarding women’s role in Bollywood, and their place in Indian society as a whole, are explored but such breadth of ideas can prevent a storyline from flowing with clarity.
However the energy and commitment of the cast to the audience’s enjoyment was 100%. The two finale dances are fireworks, visually and musically astounding – the silver-glittering costumes, the Bhangra beats – I would go again just to see these two numbers!
★★★★☆. Peggy Ralph, 25 June 2026
Photography credit: Rich Lakos
