Author: Graham Wyles

BIRDSONG at the Bristol Old Vic

“The play, which in Rachel Wagstaff’s adaption necessarily contracts much of Faulks’s novel, concerns in no small part the lives of the sappers and in particular one Jack Firebrace . . . the brave and steadfast miner is played with sensitivity, dignity and authority by Peter Duncan who effects an unsentimental pathos in the role . . . The production remains a powerful testimony to one of the darkest periods in European history. Last night’s audience were treated to a cameo performance by the author who came on to read some battle orders. Clearly enjoying the experience he waved his cap as he left the stage after the curtain call. ”

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CASTING THE RUNES at the Tobacco Factory, Bristol

It is late one evening in 1904. You are in your club; an oak panelled affair in whose fading light you can still manage to pick out details on the book lined walls. The third brandy and your comfortable wing chair conspire – with the last remnants of a once cheerful fire – to do their work. The porter comes in to tell you that because of the January fog your Hackney carriage will be some time yet. Resigned to a tedious wait you sink further into your chair at which juncture one of the longer standing members slips into the room . . .

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DEAR LUPIN on tour

“Fox Junior (Jack), acting with his pa, was able to use the curious blood chemistry of father and son to bring a genuine warmth to the role, which takes him through writer, Charlie Mortimer’s life with dad’s letters as signposts . . . As a touching portrait of a particular take on humanity through the description of a father-son relationship it will undoubtedly find an audience to entertain. ”

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JONNY AND THE BAPTISTS at the Brewery, Bristol

“For audiences across the UK you could say the election starts here. Except of course if you catch the act just before or in the case of Liverpool – and inexplicably given the title of the show (‘Rock the Vote’) – just after election day on the 7th May . . . The two performers (Jonny Donahoe and Paddy Gervers) pack as much fun as possible into the just-over-the-hour long set with a fresh mix of political and social comment . . . “

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UNDER THE DARK MOON at the Bristol Old Vic

” . . . When I first saw this show a couple of years ago, in a tent behind Bristol’s Temple Meads station my impression was of unfulfilled potential. The skills of the members of Invisible Circus seemed to open up possibilities not available to conventionally trained actors . . . With the current production we are in the realm of fantasy to which the company is well suited and whilst they delight to entertain, grand success can only be a matter of time.”

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