Author: Michael Hasted

The Bristol Old Vic celebrates 250 years

The opening of Bristol’s Theatre Royal, the Old Vic, in May 1766 could not be described as an event that would be upstaged by anything or anyone. It was one of history’s particularly quiet months and consequently, the Old Vic had the stage pretty much to itself. And now, 250 years later, it’s still going strong and is the oldest functioning theatre in the English speaking world . . . Hopefully a lot of people came into the theatre for the first time and, hopefully, future generations will insure with the continuation of this remarkable institution for another 250 years.

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THE RAILWAY CHILDREN at the Everyman Cheltenham

In theory, E Nesbit’s classic story has all the ingredients and potential for a very successful stage show. There are endearing characters, nice locations and the opportunity for some amazing special effect and there is even an ending weepy enough to ensure a lot of damp hankies . . . Talking Scarlet has produced an ambitious musical adaptation which just scrapes by, but only by the skin of its teeth . . .

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NOBODY’S HOME at the Everyman Studio, Cheltenham

The bath, which dominates the stage, is used to good effect, being able to spawn and conceal figures from Grant’s damaged mind like a clever magician. The bath (a means of self-cleansing, geddit?) is, wouldn’t you just know it, blocked. Despite numerous entreaties by Penny and the liberal use of a plunger, it remains so until the end . . . Theatre Témoin is an original and innovative young company whose heart is undoubtedly in the right place . . .

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