Author: Michael Hasted

BEFORE THE PARTY on tour.

Rodney Ackland was, in the 1930s, ranked alongside Terence Rattigan, Noel Coward and J B Priestley as a playwright of note. Priestley’s An Inspector Calls never goes away, Rattigan is always being revived and Coward is, well, Coward. But Rodney Ackland? His play Before the Party, adapted from Somerset Maugham’s short story, does little to persuade us of the status he once, apparently, commanded. Whereas the plays of other the three aforementioned writers are equally stuck in time and place they are either relevant today or are very witty. Before the Party, sadly was neither

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SHOBANA JEYASINGH DANCE at the Everyman Cheltenham

I must confess, to my shame, to not having heard of the company before this visit was scheduled. Established in 1988 by Ms Jeyasingh, it is based in London but works around the world. Although I don’t think the company could be described as Asian/Indian or having any other essentially ethnic basis, the influences are clearly there. Ms Jeyasingh was born in India but has roots in Sri Lanka and Malaysia. These influences were particularly evident in the company’s current signature piece, Material Men, which formed the main part of their programme last night.

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THE BOGUS WOMAN at Cheltenham and Oxford

The Bogus Woman is compelling, harrowing theatre which fulfils one of the basic requirements of any form of art – it makes you look at the world differently. All those concerned have a right to be immensely proud of their achievement but most of the praise must go to Krissi Bohn who delivered a virtuoso, tour-de-force performance the like of which you will rarely see. This was a truly remarkable and memorable evening about an issue which is becoming increasingly difficult to ignore and will inevitably, ultimately affect all our lives.

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A Murder is Announced at the Everyman, Cheltenham

Miss Marple has very big boots. To fill them, in light of previous wearers, is no mean feat and one not without certain dangers . . . Miss Marple is usually played as rather prim and proper or, in the case of Margaret Rutherford, as a battle axe. Judy Cornwell has found a new way of presenting her – frumpy, dowdy even – all cardigans, charity-shop tweeds and trilby hats . . . Entertaining stuff, but you have to pay attention. All in all it was what it said on the tin, no more, no less and if you like a good Agatha Christie who-dunnit then you’ll enjoy this one.

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