Author: Michael Hasted

BOUNCERS at the Everyman, Cheltenham

“John Godber’s 1977 play tells the story of a typical Friday night in a typical city, somewhere up north. The cast of four, dressed in black ties and dinner jackets but still managing to look scruffy, play the bouncers in question, as well as a group of lads hell bent on a few jars and a grope, four lasses hell bent on a few Babychams and getting groped, plus a few other odd characters who present themselves at the door the bouncers are minding. . . This is well observed stuff and very funny. It is in your face humour.”

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ALMOST HEAVEN at the Everyman Studio, Cheltenham

“Almost Heaven was powerful stuff created by Bill Buffery and Gill Nathanson which explored relationships and how we communicate within them and even the value and efficacy of language itself. This was good, authoritative, thought provoking theatre with two beautifully measured and sensitive performances which would have graced any stage and for which I can only offer the highest praise. . . a little gem of a play skilfully performed by its creators.”

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Obituary – IAN MULLINS, Actor and Director, 1929-2014

The death has been announced of Ian Mullins who was Director of Productions at the Everyman Theatre in Cheltenham from 1961 until 1968. He was largely responsible for the success and the survival of the theatre after the Everyman rose from the ashes of the old Opera House. Had it not been for his skilful and imaginative running of the repertory company the theatre would very probably not have survived. All those who are theatre goers in Cheltenham and those that work and have worked at the Everyman are enormously indebted to him.

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EDUCATING RITA at Everyman Studio Theatre, Cheltenham

“. . . It would be impossible not to be interested in Willy Russell’s Rita and Frank. Rita has the infectious, uninhibited enthusiasm and humour of the cliché Scouser while Frank has seen better days and finds solace in a bottle until the arrival of Rita revives his raison d’être. Frank the university lecturer, Rita the hairdresser who, as we used to say, wants to better herself. . . The story is essentially that of Shaw’s Pygmalion but to me this is a much deeper play. Frank is a much fuller, sadder character than Higgins and Rita an eager guinea pig rather than a reluctant one. . .”

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HAPPY BIRTHDAY to us

StageTalk Magazine was launched one year ago, on 1st. December 2013. Since then our eleven reviewers have seen 270 shows at twenty-two venues in Bristol, Bath, Oxford, Malvern, Cheltenham and Birmingham. We have reviewed drama, comedy, opera, dance and even circus. We have been to shows in tiny 50 seater fringe theatres and in the huge, near 2000 seater Hippodromes in Bristol and Birmingham . . . Our reviews are quoted and reprinted by major theatres and producers alongside those of the national press.

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