★★★★☆ This Uncle Vanya is ravishing to look at, strikingly contemporary in its central theme, and frequently very moving. Ivan Voynitsky, ‘Uncle Vanya’, is a part that Rupert Everett had long wished to tackle, and he saw that the best way to achieve that ambition would be to direct the play himself.
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★★★★☆ This is a very entertaining, all-male production that well lives up to The Lord Chamberlain’s Men’s watchwords: ‘authenticity, excellence and magic’. Catch it if you can.
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★★★☆☆ Right from the start there is a sense of fun, and of provocative social comment, too. On entering, the audience is greeted by members of the cast who hand out leaflets about a community project.
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Each separate production is an impressive stand-alone achievement; taken together, they surely represent a new high-water mark for the Bristol Old Vic Theatre School. . . a bravely ambitious enterprise, and an extraordinarily successful one.
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★★★★★ Is this revival of Blithe Spirit sufficiently engaging to make us to forget the B-word for a couple of hours? It most certainly is. From the moment the curtain rises on Anthony Ward’s magnificent set, there is a sense that we are in good hands . . . Blithe Spirit may just be escapist fun, but it offers fun of the highest quality.
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