Author: Mike Whitton

COASTAL DEFENCES at the Brewery, Bristol

“. . . All the action takes place in front of a striking backdrop: a red brick wall, emblazoned with the unmistakable Coca-Cola logo in Cyrillic script. There are just three actors, each of them playing a number of roles and quickly changing from one costume to another at the side of the stage. Jill Rutland is particularly affecting as the Bulgarian woman who is not quite sure what kind of relationship she wants with her Facebook friend, and Nic McQuillian is excellent as the young, idealistic visitor from England . . “

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SATTF presents The Conquering Hero at Bristol University

“. . . Why is this play not better known? Like Sherriff’s much more familiar Journey’s End, Allan Monkhouse’s The Conquering Hero seeks to expose the sordid reality of warfare and attack the shallowness and ignorance of jingoistic, death-or-glory patriotism, and it does so with great conviction. . . The Conquering Hero is a fine, brave play, with perhaps greater depth than Journey’s End, and Shakespear at the Tobacco Factory and Bristol University are to be congratulated for giving us this rare opportunity to see it.”

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DRACULA at Bristol Old Vic

“. . . Jonathan Goddard’s interpretation of the title role is entirely free of cliché. No swirling cape, no Christopher Lee, no Hammer horror. Instead, in a performance that skillfully conveys both muscularity and vulnerability, he portrays a creature trapped and tortured by the very powers that make him so dangerous. . . Dracula is dance theatre at its very best, full of memorable images. The first night played to a packed house, and I suspect that tickets for the few remaining days will be scarce, but do get to see it if you can.

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DYLAN THOMAS: RETURN JOURNEY at the Tobacco Factory, Bristol

Bob Kingdom has won considerable acclaim for the one-man shows in which he has created vivid portraits of, amongst others, Truman Capote, Stan Laurel and The Duke of Windsor. However, in Dylan Thomas: Return Journey it quickly becomes clear that he was surely born to play the Swansea boy whose extraordinary capacities as a writer were matched by an equally formidable capacity for self-destruction.

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ELIZABETH I: Virgin on the Ridiculous at The Brewery, Bristol

“After their acclaimed Six Wives of Henry VIII Living Spit are back with another romp through Tudor history. . . There is throughout much rudery, buffoonery and outright absurdity. . . I expected to be amused by Elizabeth I – Virgin on the Ridiculous and I was not disappointed; what came as something of a surprise was how genuinely informative it is. . . . Elizabeth I – Virgin on the Ridiculous is a hoot – go see it.”

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