Author: Mike Whitton

CHASING THE DREAM IN THE LEAST HARMFUL WAY at the Alma, Bristol

Dominic Lindesay has created a fascinating and morally complex character. Guy is often crass, yet he is capable of considerable sensitivity. At times he is a blundering, selfish oaf, but he can also be forensically self-aware. We see his increasingly inebriated and excruciatingly inept attempt to chat up an attractive colleague at an office party, but we also see him thoughtfully reflecting on the masks that people wear when playing life’s various roles.

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INFECTIOUS at the Wardrobe Theatre, Bristol

Infectious portrays a disturbing, sterile world where it is forbidden to come within a metre of anyone else, and where a totalitarian regime exerts absolute control over its people through fear of disease. Welded Theatre is a new Bristol-based arts company, founded last January by Meghan Leslie and Edmund McKay. Their avowed intention is ‘to create reflective theatre that takes on contemporary subjects.’

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MASS at the Bristol Old Vic Studio

” . . . Risking excommunication, and taking audience participation into hitherto unexplored territory, Amy Mason has created a totally non-churchy ceremony for our times, modelled closely in structure on the Catholic Mass. A recent survey suggests that less than 40% of us are religious, a statistic supported at the start of the evening by the few hands raised in response to the question, ‘Do you believe in God?’ Has this absence of faith created a vacuum and, if so, what might be filling it? . . . “

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VITOMORI at the Alma Tavern & Theatre, Bristol

“The Tobacco Tea Theatre Company is back in the Alma with a play written and directed by Christopher Cutting. Vitomori takes a wry look at our narcissistic, selfie-obsessed age through the eyes of a 1000-year-old vampire. This satire on social media certainly has bite, mounting a forceful attack on those whose self-esteem depends entirely upon the number of ‘likes’ they score, and I particularly liked the line: ‘PR – the modern form of friendship’. . . this play certainly responds to our growing obsession in an often clever way. . . ”

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THE HERESY OF LOVE at the Bristol Old Vic

“. . . A heady mix of intrigue, passion and sexual politics, Heresy of Love is an ambitious play, and this Bristol Old Vic Theatre School production, ably directed by Jenny Stephens, certainly does it justice. . . . This is a wordy play with a number of weighty themes, but in this production it seldom seems too heavily freighted with ideas. The cast give each character a distinct individuality, and there are many shifts in mood. . . This is a thoroughly enjoyable production of a powerful play. Thoroughly recommended. “

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