Author: Mike Whitton

CHRISTIE IN LOVE at the Wardrobe Theatre, Bristol

“. . . Christie In Love is one of Howard Brenton’s earliest plays, and Substance & Shadow deliver this dark, claustrophobic three-hander with great skill . . . passionate hatred is conveyed with terrifying intensity . . . Christie In Love does not make for comfortable viewing, not least because it perhaps suggests that Christie’s horrible perversions were but an extreme expression of a more general malaise, but Substance & Shadow’s production is uniformly well acted, gripping throughout and certainly thought-provoking.

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Mike Whitton’s review of 2016

StageTalk Magazine reviewer Mike Whitton takes a look back over some of the shows he has seen in the past twelve months in Bristol and Bath. He reveals his overall favourite and explains why some shows turned out to be a bit disappointing.

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LITTLE WOLF GANG at the Tobacco Factory, Bristol

In just under an hour the four members of Little Wolf Gang give vivid and lively accounts of three musical folk tales from Russia. The show opens with A Daring Fiddler Meets a Devilish Stranger at the Crossroads, a supernatural story that gives violinist Fiona Barrow plenty of opportunity to display her expressive and idiomatic skills, ably supported by Eddy Jay on accordion. Narrator Martin Maudsley revels in the devilish details, and makes it clear that audience participation is expected.

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Toby Hulse’s WAR GAME at Bristol Old Vic

It is a formidable task to create a play suitable for a family audience that nevertheless conveys something of the realities of life and death in the trenches of the First World War. Director Toby Hulse has responded to this challenge by devising a production inspired by Michael Foreman’s beautifully illustrated novella War Game, the winner of the 1993 Nestle Children’s Book Prize. This features the Christmas Day truce of 1914, when soldiers from both sides sang carols, exchanged gifts and played an impromptu game of football.

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COASTAL DEFENCES at the Brewery, Bristol

“. . . All the action takes place in front of a striking backdrop: a red brick wall, emblazoned with the unmistakable Coca-Cola logo in Cyrillic script. There are just three actors, each of them playing a number of roles and quickly changing from one costume to another at the side of the stage. Jill Rutland is particularly affecting as the Bulgarian woman who is not quite sure what kind of relationship she wants with her Facebook friend, and Nic McQuillian is excellent as the young, idealistic visitor from England . . “

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