Author: Philip Smith

ALADDIN at the Oxford Playhouse

A particular combination of satire, wit, silliness and audience participation, pantomime remains a singularly British tradition and obsession, and the last remnants of a British variety tradition. No-where else would you see a cross-dressing dame camping it up and taking centre stage . . . And so it is with this year’s jamboree of Aladdin at the Oxford Playhouse, written and directed for the first time by Steve Marmion, artistic director of the Soho Theatre, and he misses none of the panto classics with slapstick, sing-a-long tunes and innuendos aplenty.

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ARCADIA at Oxford Playhouse

When it first premiered at the National in 1993 it won countless awards (including the 1993 Olivier), was lauded by critics and is often cited as one of the nation’s favourite plays and it is easy to see why. Beautifully crafted, although not completely without its faults, Arcardia is a play of contradictions, poetry and science, romanticism and intimacy which effortlessly flows between the past and present drawing on issues of memory. It is one of the stand-out plays of its generation and this revival re-enforces its position arguably as Stoppard’s masterpiece.

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Richard Bean’s PITCAIRN on tour

The play centres on the aftermath of the overthrow of Captain Bligh in 1789 and the mutineers who find themselves in the middle of the South Pacific on the island of Pitcairn. Led by Fletcher Christian, played by Tom Morley, six mutineers and nine Tahitians attempt to build a utopian ideal and ‘true’ democracy, based on freedom, equality and fraternity. But not all are equal, patriarchy prevails, and in the end Fletcher uses both violent oppression and lies to achieve his goals.

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OTHELLO on tour

Violent and vulgar, amongst the villainy male testosterone pervades keeping the audience on the edge of their seat waiting for the next damaging interlude to be played out. Within this ruinous setting Shakespeare’s play is surprisingly not devoured by the extreme physicality, grit and gore, its central themes and tensions come through, and instead it thrives for a modern audience.

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KING LEAR in the Bodleian Library Quad, Oxford

“…Lear is a role that most serious actors crave to play, and has included the likes of Ian McKellen, Laurence Olivier, Derek Jacobi and Michael Gambon but to name a few. Marcell’s portrayal is stupendous – stripped back to its simplest form, it is touching, humble and believable…the setting lends itself to such a production and it works successfully because it is imaginative, is played at just the right tempo…On a warm summer’s evening what a delight!”

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