Author: Simon Bishop

SHIPPED – Theatre West at Hamilton House, Bristol

The second of Theatre West’s autumn season performances, Shipped, written by Bristol University graduate Eno Mfon and starring Tosin Thompson as feisty teenager Adamma and Sobawale Bamgbose as her Uncle Fred, delves deep into conflicting worlds of political and sexual politics . . . I strongly recommend you to catch this new work from a very talented team while you can.

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THE ORATOR Theatre West at the Acta Centre, Bristol

In this the first play in Theatre West’s new autumn season, playwright Marietta Kirkbride has produced a richly layered observation of a vulnerable individual seeking enrichment and life experience through the internet, and how that goes horribly wrong. It is a fascinating study of how the web can both hide and expose identity – how it can seem like a sensitive intimate one moment, a destructive megaphone to the rest of the world, the next.

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GHOST – THE MUSICAL on tour

As a spectacle, Ghost splutters. Sometimes it hits its target as an all-guns-blazing West-End musical, then seems to want to be something much smaller, more intimate. Perhaps in film the power of close-up would have helped. But its simple message, to remind us of our own mortality, and the power of articulating a message of love to someone we cherish while we have breath to do it, will always have resonance.

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THE LIBERTINE at Bath Theatre Royal

Rochester’s is an irresistible story: the darling of the Restoration court, he revelled in the favour of Charles II. His life served as metaphor for the end of Cromwellian 17th century austerity. All the safety catches were off. Here was a man with education, creative competence, position, money and looks, but with just one hitch – he was acutely aware of artifice, and was hell-bent on bringing it down, even at enormous cost to himself.

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DOWNS FESTIVAL, Bristol

A crowd of some 30,000 braved the slate-grey skies and continual downpours over Bristol yesterday to soak up an inspiring day of music and other cultural events that combined to provide a case for wider contact with the world and greater solidarity with refugees in particular. A Team Love and Crosstown Concerts production, all acts on the main stage had been chosen personally by Massive Attack, themselves

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