Author: Simon Bishop

BALLET RAMBERT at Bath Theatre Royal

” . . . The Theatre Royal audience rose as one to acclaim the ensemble after a triumphant, exhilarating and sensitive performance to some of the Rolling Stones’ finest early works. In a last moment of silence, Cuban dancer Miguel Altunaga jutted his chin out in a gesture of male bravado and brought the house down . . . This was fabulous stuff, devoured by the audience who at once became animated, to some extent released from the more demanding abstractions that had preceded it . . . Sassy, sexy and strongly recommended.

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ETO’s LIFE ON THE MOON on tour

“From the first moment, when a smiling Ronan Busfield (Cecco) regales us from the front of the stage to explain the synopsis, to “those of you who haven’t been generous enough to buy the programme,” and confides with us that “Soprano Jane Harrington is still in her dressing room worrying about the size of her hips”, we are under no illusion that we are witness to ‘something slightly different’. . . It was always director Cal McCrystal’s intention to tease out belly laughs from this preposterous tale of misogyny, delusion, love and come-uppance.”

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STRICTLY BALTI at the Brewery, Bristol

“. . . Against the current hysterical political debate about immigration, Saikat’s piece serves as a heart-felt reminder that we need to ask ourselves what it means to be ‘made in Britain’. By revealing his life’s journey so intimately, he leaves us asking ourselves questions of our own. . . Directed by Sally Cookson, Strictly Balti is further proof that the Travelling Light Theatre Company can deliver potent new voices. Recommended.

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BROKEN WINDOWS at the Wardrobe Theatre, Bristol

I once heard that reviews at the Wardrobe could only ever attract a maximum of three stars. Well, here are four for a change! Caitlin Ince is a very engaging actress with huge potential to make a name for herself. She also has some great ideas, and this production should be offered a run. Tobacco Factory, Everyman Theatre, Theatre Royal, what are you waiting for? The Wardrobe has acted as star-maker, seize the moment to add to the trajectory.

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THE DOCK BRIEF at the Everyman Studio, Cheltenham

“. . .the confined space within the darkened Studio Theatre lent the proceedings a perfect intimacy in which to witness the two ‘losers’ in this piece. . . an extraordinary and unlikely double-act not unlike Laurel and Hardy which I strongly recommend you savour. . . I loved [Mark] Hyde’s Morganhall. He looked and sounded perfect for the role, both in his outbursts of self-deluded oratory and in his crumpled admissions of shortcomings. . . Michael Hasted has injected this 1950s revival with great pace and movement on a small rostrum stage. Definitely worth a ringside seat . . .”

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