Helped by a great sound track by Keegan Curran, Bea Roberts builds towards the inevitable denouement. She recognises that profound theatre can be found in unlikely places – in drab business parks or on anonymous computer screens, and that desire and yearning will always find a way to connect, if not to always end well. With Infinity Pool Roberts puts a twenty-first century spin on an old classic. With effortless command over the lingo of the laptop and her precise observations into humdrum lives, Roberts is a writer to take seriously. Go and see this, it’s funny, it’s sad, and it’s very, very different.